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The writing arm of the Create suite — comic books, novels, news stories, newsletters, screenplays, even contracts, in one best-in-class editor. Start from a library of worked templates, draft with an AI writing engine that knows each form, and publish in one tap to your journal, your site, and your readers.
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Contract
Novel
Children's book
Comic bookA full library of worked templates — every one opens in the editor with a real, formatted draft to make yours. Pick one; it's waiting for you after sign-up.
Report it, argue it, review it — newsroom forms, ready to file.
[CITY] — The city council voted 7–2 on [day] to approve a 1,200-unit riverfront housing development, the largest residential project the city has cleared in a decade, over objections from neighborhood groups who said the plan moves too fast.
The vote clears the way for construction to begin as early as [month], according to [official, title], who called the project "[direct quote from the meeting]."
Opponents, led by [group], argued the plan lacks [specific objection]. "[Counter-quote]," said [name, title], who voted against it.
[The next concrete step, with a date. Who to watch. What remains unresolved.]
[Reporter contact / how this story was sourced.]
Breaking news storyNews storyInverted pyramid, sourced, ready to file in minutes.
[Open in scene: one person, one moment that embodies the whole story. Two or three paragraphs — concrete detail, no throat-clearing.]
[The nut graf: what this story proves, why it matters now, and the scale of it. One paragraph, no hedging.]
[The evidence, walked through in order. Every claim attributed — documents, data, named sources. Quote the paper trail directly.]
[The single most damning line from a document or interview.]
[The accountability section. What officials said then vs. what they say now. Include the response you got when you asked.]
[Return to the human stakes. End on the person you opened with.]
Investigative featureArticleA long-read with a document trail — scene, nut graf, receipts.
[The hook: a moment, stat, or contradiction that makes the reader need the next paragraph. Two sentences.]
[Your thesis, stated plainly. One sentence the reader could quote at dinner.]
[Why now — the news peg that makes this urgent this week, not any week.]
[Your strongest evidence first. One point per paragraph, each ending a step closer to the conclusion.]
[Second line of evidence — data, history, or expert authority.]
[The best version of the opposing view, stated fairly — then why it fails. This is the paragraph that earns trust.]
[The ask: specific, doable, addressed to someone who could actually do it.]
[The kicker: land back on the opening image with the argument now loaded into it.]
Opinion / op-edArticleOne argument, pressure-tested — 800 words that change minds.
[Who this person is and why this conversation, now — two paragraphs. Where you met, what surprised you. Set the scene.]
This conversation has been edited for length and clarity.
[Your first question — start where the news is.]
[Their answer.]
[Follow-up that pushes on the interesting part of that answer.]
[Their answer.]
[Pull the best line of the interview out here.]
[The question they probably didn't want asked.]
[Their answer — including the pause, if there was one.]
[The closer: what's next / what would change their mind.]
[Their answer.]
Interview Q&AArticleA conversation shaped for the page — intro, exchanges, pull quote.
FOR IMMEDIATE RELEASE
[CITY, State — Month DD, YYYY] — [Company], the [one-line description], today announced [the news in one sentence — what, for whom, available when].
[Paragraph two: why it matters — the problem this solves, sized with a number if you have one.]
"[Quote from your CEO or lead — say something a human would say, not a mission statement]," said [Name], [Title] of [Company]. "[Second sentence that adds a fact, not adjectives.]"
[What's actually in it — three concrete capabilities or terms, as prose or a short list:]
"[Customer or partner quote — the outside voice that makes it credible]," said [Name, Title, Company].
[Availability and pricing. Where to get it, starting when, for how much.]
[Boilerplate: two sentences, founded-in, based-in, the one stat you always cite.]
Media contact: [Name] — [email]
Press releaseNews storyAnnouncement in AP style — quote blocks, boilerplate, contact.
[The verdict, first. One paragraph a reader in a store aisle could act on: what it is, whether it's good, who it's for.]
[Your methodology in three sentences — duration, conditions, what you compared it against. This is what separates a review from an ad.]
[The best thing, with the specific moment you noticed it.]
[The second-best thing, with a number if you measured one.]
[The dealbreaker candidates, honestly weighted. Who each flaw will and won't bother.]
[The two alternatives a smart buyer is cross-shopping, and the case for each.]
[Yes/no by persona: "Buy it if…", "Skip it if…". End with the price and where it sits in the lineup.]
Product reviewArticleVerdict-first review — testing notes, scores, who should buy.The dispatch your readers open first.
[Personal open — two sentences, one observation from your week that earns the next scroll. Write to one reader.]
[The one story your readers should understand this week, explained in three paragraphs: what happened, why it matters, what's next.]
[One link — an essay, a video, a tool — and the two sentences that sell the click.]
[Sign-off: one line, same every week, yours. Then the ask: "Forward this to one person who'd like it."]
Weekly digestNewsletterThe scannable roundup — one big thing, quick hits, one link out.
[Start inside a moment — the anecdote that made you want to write this. No preamble; the reader arrives mid-scene.]
[Widen out: what the moment made you realize. Name the idea plainly.]
[Complicate it: where the idea breaks down, the counterexample you can't shake. Personal essays earn trust by admitting friction.]
[The line you want quoted back at you — the idea in one sentence.]
[Bring it home: what you're doing differently now, or what you're still unsure about. Small and honest beats grand and vague.]
[Sign-off: one question for the reader to reply to. Replies are the whole point.]
Personal essay letterNewsletterThe intimate single-essay issue — one idea, told like a letter.
[One-paragraph open: the theme that emerged from this week's reading, if any — or just the best sentence you read.]
[Two sentences: what it argues, and the detail that stuck with you.]
[Two sentences.]
[Two sentences.]
[Two sentences.]
[Two sentences. Keep going to eight — or stop at five strong ones.]
[One older piece that pairs with this week's theme.]
[Sign-off + the standing ask: "Send me the best thing YOU read this week."]
Curated links roundupNewsletterYou read everything so they don't have to — links with taste.
[One-line open: the theme of this release cycle in plain words.]
[What it is, in the customer's words — the job it does, not the code you wrote. One screenshot-worthy sentence.]
[How to try it: the exact click path or link.]
[One teaser, honestly hedged. Invite feedback: "Reply and tell us what you'd want it to do."]
Product update / changelogNewsletterShip notes customers actually read — what's new, why, what's next.Novels, memoirs, children's books — a manuscript with a spine.
[Open with your protagonist in motion — mid-action, mid-decision, mid-lie. The reader should learn who they are by what they do in the first 500 words, not by description.]
[Ground the scene: where are we, what does it smell like, who else is here. One paragraph of world, woven through action.]
[The inciting disturbance arrives — the letter, the knock, the body, the offer. End the chapter the moment after it lands, before anyone reacts.]
NovelBookChaptered manuscript with a worked opening and scene scaffolds.
[Open with the story that made you write this book — the client, the failure, the data point that didn't fit.]
[The promise: what the reader will be able to do by the last page, stated as a contract.]
[The map: your framework in one paragraph, and how the chapters walk through it.]
Nonfiction / expert bookBookThe idea book — framework chapters, stories, and takeaways.
[Start at the hinge — not the beginning of your life, the beginning of the story. A scene you can still smell. Present tense is allowed.]
[Let the reader meet you-then without you-now interrupting. Save the reflection; render the moment.]
[End the chapter on the detail that, at the time, you didn't know was important.]
MemoirBookA life shaped into chapters — scenes first, reflection second.[The opening lines — introduce your character in their ordinary world. Read it aloud; the rhythm is the writing.]
Art note: [what the illustration shows — the character, the setting, the mood. The words should NOT describe what the art already shows.]
Children's picture bookBook32-page rhythm — a spread per chapter, art notes included.
[Begin as close to the end as you can. First line does double duty: voice and unease.]
[One conflict, two characters, few rooms. Everything that doesn't serve the effect goes.]
[The turn — earned but not announced. Then get out: the last paragraph should arrive about a page sooner than feels safe.]
Short storyBookOne sitting, one effect — the compressed form, scaffolded.
[The door poem — the one that teaches the reader how to read the rest. Line breaks are the instrument: break where the breath or the meaning turns.]
Poetry chapbookBookA themed collection — 12–20 poems, sequenced like an album.Industry-format scripts and full-script comic pages.
FADE IN:
EXT. [LOCATION] - [DAY/NIGHT]
[What we SEE, present tense, only what the camera can photograph. Introduce your protagonist with a capitalized NAME and one telling action — not a description of their soul.]
[CHARACTER]
[First line — character revealed by what they want in this moment.]
[OTHER CHARACTER]
(beat)
[The reply that tells us the relationship.]
[The image that turns the scene — the reveal, the arrival, the object. End the scene one line after it.]
Feature screenplayScreenplayIndustry format from FADE IN — a worked opening scene.
FADE IN:
INT. [THE WORLD OF THE SHOW] - [TIME]
[The cold open's one job: prove the show's premise in three minutes. Start inside the engine — the case, the con, the crisis — not the backstory.]
[LEAD]
[A line only this character, on this show, would say.]
[The button — the twist or laugh that snaps to titles.]
SMASH CUT TO: MAIN TITLES.
TV pilotScreenplayCold open + act breaks — the episode that sells the series.[The widescreen establishing shot — the city, the ship, the storm. One moment, drawn once: describe what the artist draws, not what happens over time.]
CAPTION: [The voice of the book, line one.]
[Push in: our hero, mid-ordinary-life, one beat before everything changes.]
[HERO]: [First line — voice, not exposition.]
[The disruption enters the frame — small in the corner, wrong in a way only the reader notices.]
SFX: [KRAK]
[Full-width bottom panel: the reveal. The image that makes the reader turn the page.]
CAPTION: [The hook line.]
Comic book issueComic bookFull-script pages, panel by panel — and Write can draw them.
[Open on place, not plot — the landscape or room that IS the book's mood. Graphic novels can afford the slow open comics can't.]
CAPTION: [First line of narration — past tense, a voice remembering.]
[Same shot, one thing changed — time passing inside a page.]
[Find the protagonist small in the frame. We arrive at them, not with them.]
Graphic novel chapterComic bookLonger-form sequential storytelling — quieter pages, deeper turns.
[Setup: the normal-world statement. Two characters, one prop, no clutter.]
[A]: [The premise line.]
[Build: take the premise one step too seriously.]
[B]: [The escalation.]
[Beat panel — silence, a look. The pause IS the timing.]
[The turn: the logical-but-wrong conclusion.]
[A]: [Punchline. Fewest possible words.]
Comic stripComic bookThree to four panels, one joke — setup, build, turn.Contracts, proposals, white papers — documents that close.
This Services Agreement ("Agreement") is made as of [DATE] between [PROVIDER NAME] ("Provider") and [CLIENT NAME] ("Client"), together the "Parties."
Provider will perform the services described in Exhibit A (the "Services"). Work outside Exhibit A requires a written change order signed by both Parties before it begins.
Client will pay Provider [$AMOUNT] [per hour / per month / fixed fee], invoiced [monthly / on milestones]. Invoices are due within [15/30] days. Late amounts accrue [1.5]% per month. [Deposit: $AMOUNT due on signing, credited to the final invoice.]
This Agreement begins on [DATE] and continues until [DATE / the Services are complete]. Either Party may terminate on [14/30] days' written notice. On termination, Client pays for all work performed through the termination date.
Upon full payment, deliverables specified in Exhibit A are assigned to Client. Provider retains ownership of pre-existing materials and general know-how, and grants Client a perpetual, non-exclusive license to any embedded in the deliverables.
Each Party will protect the other's non-public information with reasonable care and use it only to perform this Agreement, for [2/3] years after termination.
Provider warrants the Services will be performed in a professional and workmanlike manner. NEITHER PARTY IS LIABLE FOR INDIRECT OR CONSEQUENTIAL DAMAGES; total liability is capped at fees paid in the [6/12] months before the claim.
Provider is an independent contractor, not an employee. This Agreement is governed by the laws of [STATE], is the entire agreement, and may be amended only in writing.
[This template is a starting point, not legal advice — have counsel review before signing.]
Provider: ______________________ Date: ________
Client: ______________________ Date: ________
This Mutual Non-Disclosure Agreement ("Agreement") is made as of [DATE] between [PARTY A] and [PARTY B] to explore [PURPOSE — e.g., a potential business relationship] (the "Purpose").
"Confidential Information" means non-public information disclosed by either Party, in any form, that is marked confidential or that a reasonable person would understand to be confidential — including business plans, financials, customers, technology, and product roadmaps.
Confidential Information does not include information that: (a) is or becomes public through no fault of the recipient; (b) the recipient knew before disclosure; (c) is independently developed without use of the discloser's information; or (d) is rightfully received from a third party without restriction.
Each Party will: use the other's Confidential Information only for the Purpose; protect it with at least reasonable care; and share it only with employees and advisors who need it for the Purpose and are bound by comparable obligations.
A recipient may disclose Confidential Information when legally required, after giving the discloser prompt notice (where lawful) and reasonable cooperation to seek protective treatment.
This Agreement runs for [1/2] years from the date above; confidentiality obligations survive for [3/5] years from each disclosure. On request, each Party will return or destroy the other's Confidential Information.
No license, partnership, or obligation to proceed is created. Governed by the laws of [STATE]. This is the entire agreement regarding its subject and may be amended only in writing.
[Template, not legal advice — have counsel review before signing.]
[PARTY A]: ______________________ Date: ________
[PARTY B]: ______________________ Date: ________
Mutual NDAArticleTwo-way confidentiality agreement — definitions, carve-outs, term.
[The client's problem, in their words — quote the discovery call. If this section doesn't make them nod, nothing after it matters.]
[The measurable outcome: "[metric] moves from [X] to [Y] by [date]." Agreeing on this IS the sale.]
[The plan in three phases:]
[Three options, anchored high:]
[One paragraph, one proof: the most comparable result you've delivered, with a number and a name (with permission).]
[The single action: "Reply by [date] and we start [date]." Include validity: this proposal holds for [30] days.]
Business proposalArticleThe document that wins the deal — problem, plan, price, proof.
[The whole paper in five sentences: the question, the method, the three findings, the recommendation. Written last, read first — most readers stop here, so make it complete.]
[Why this question matters now — the market shift, the regulation, the cost curve. Frame with data, not adjectives.]
[What you studied and how: sample, time period, definitions. Two paragraphs of honesty that buy credibility for everything that follows.]
[The data, then what it means. One chart described per finding.]
[The counterintuitive result readers will cite — with the caveat stated plainly.]
[The gap between leaders and laggards, quantified.]
[What a smart operator does differently starting Monday — three recommendations, each tied to a finding.]
[Who conducted it, disclosures, how to get the dataset or ask questions.]
White paperArticleAuthority in long form — research framing, findings, implications.
[Customer] · [Industry] · [Size] · [The headline number: "3.2× pipeline in two quarters"]
[Their world before: the process that was breaking, sized with a number. Quote the champion on what it felt like.]
"[The before-state quote — frustration in their own words]." — [Name, Title, Customer]
[What they implemented and how — the decision, the rollout, the one integration detail that made it stick. Honest timeline included.]
"[The after-state quote — the one that sells]." — [Name, Title]
[Where they're expanding — the quiet proof of satisfaction. End with the reader's next step.]
Customer case studyArticleBefore, after, and the numbers — proof in narrative form.Dozens of worked templates — a comic issue with drawable panels, a novel's opening chapters, a client-ready contract, an op-ed that argues — each opening as a real formatted draft.
Screenplays in industry format, comics in full script, books in chapters, news in the inverted pyramid — the editor knows the craft of each.
Outline the work, draft a scene, keep a chapter going, rewrite a passage under direction — every action briefed on your format.
Live writing checks, readability, tone rewrites — the same assistant that powers Docs, built in.
One tap compiles the work into a post on your journal — public page, RSS, subscriber email, and your owned site, all at once.
Cover art and interior imagery ride the same engines as Studio — drop a generated still straight onto the work.
Export clean HTML any time. Your manuscript is yours — syndication, not lock-in.
Drop a link to your site, app, social profile, or videos — get it scored against the winners in your category, with the opportunities that move it.