Tickle Me was a Broadway musical comedy in two acts with book and lyrics by Oscar Hammerstein II, Otto Harbach and Frank Mandel and music and musical direction provided by Herbert Stothart. Tickle Me was produced by Arthur Hammerstein and opened at the Selwyn Theater on August 17, 1920 and closed after 207 performances on February 12, 1921. The musical then embarked on a successful road tour with a schedule that extending well into the spring of the following year.
Contents
Principal Cast and Crew
Stage Director .. William Collier, Sr.
Dances, Ensembles .. Bert French
Scenic Design .. Joseph A. Physioc;
Costume Design .. Charles LeMaire
General Manager .. Hugh Grady;
Company Manager .. Charles Voloshen
Stage Manager .. Tom O'Hare.
Mary Fairbanks .. Louise Allen
Jack Barton .. Allen Kearns
Parcel Poisson Vic Casmore
Frank Tinney .. Frank Tinney
Alice West .. Marguerite Zender
Customs Inspector.. Benjamin Mulvey
A Native Boatman .. William Dorriani
Dancers .. Olga and Mishka
Dancers .. J. Frances Grant and Ted Wing
A Slave .. Jack Htesler
The Tongra .. Marcel Rousseau
Blah Blah .. Harry Pearce
Keeper of the Second House .. Tex Cooper
Source:Burns and Mantle, 1921 and IBDB.com
Synopsis
Setting: Hollywood, California, Calcutta, India, and in-between
Act I. Scene 1 — Studio of Poisson Picture Corp., Hollywood. Scene 2 — Customs House, Calcutta, India. Scene 3 — Garden of Paradise, Tibet.Scene 4 — The Veil of Mystery. Scene 5 — Ceremony of the Sacred Bath.Act II.
Scene 1 — The Bower of Temptation. Scene 2 — Anywhere. Scene 3 — Customs House at Calcutta. Scene 4 — Aboard S. S. Tickle Me.
Tickle Me, that one writer described as a mélange of girls, jazz, novelties and Frank Tinney, was a musical tale that revolved around a Hollywood studio property man (comedian Frank Tinney) who is sent to remote Tibet for a movie shoot and the love story (Louise Allen) that ensued..
Reception-
Tinney, Life of Tickle Me.
All together the crowd seemed to like Tickle Me. It has nothing startling in the way of scenes or jokes or singing and at times it does move slowly, but it usually hits a bright spot before it really becomes dull – and, of course, there’s Frank Tinney. The New York Times, August 18, 1920.
Frank Tinney in Tickle Me at the Shubert Theatre.
Filled with melodies, life and spiritedly presented by cast and chorus, Arthur Hammerstein’s musigirl piece Tickle Me with Frank Tinney as chief tickler, is holding merry sway at the Shubert Theatre. After the opening scene Frank Tinney washes off the burn cork and appears in white face. His admirers agree he has never been more funny. Boston Globe September 18, 1921
Munsey's Magazine, 1921
Can you imagine a show in which the star's role gives him everything his heart could wish for, and yet which furnishes its audience with such varied entertainment in other directions that at times the hearers forget that there is a star at all? Such a production is " Tickle Me "—a name quite unworthy of the really meritorious medley of song, dance, comedy, spectacle, and novelty furnished by Arthur Hammerstein in order to blazon Frank Tinney's name in the electrics.
Otto Harbach, Oscar Hammerstein II, and Frank Mandel collaborated on the book, the music is credited to a new name among the composers—Herbert Stothart— while the staging was up to William Collier, who during his long run in town last winter found time to place his valuable services at the disposal of more than one manager. There are nine sets in the two acts, and while the story is negligible, the eye is kept so constantly on the alert with worth-while offerings in scenery, costume, and dance that more plot would only seem obtrusive.
The soap-suds episode in the sacred bath ceremony, although introduced by Bert French and Alice Ellis in vaudeville as long ago as when the late Oscar Hammerstein was holding forth at the Victoria, on the site of the present Rialto, still leaves one puzzled as to how it is done. The boat scene in the Garden of Paradise is an exquisite creation of Joseph Physioc. The two dance teams—Olga and Mishka, Frances Grant and Ted Wing—put over some great stuff, and my record would be incomplete without mention of the sacred horse, whose absence at any performance must leave Tinney minus many laughs unless a competent understudy is provided.