The Grand Tour

Productions

The Grand Tour premiered in San Francisco for a tryout engagement in November–December, 1978. The San Francisco reviews "were of the 'good potential but needs work' " type. Joel Grey noted "There were big changes out there in terms of the shape of the show... In terms of material, there weren't that many. One of my songs was cut, and Jerry Herman wrote a new one for me and for Florence Lacey..." Also, Tommy Tune went to California to work on the show.

The musical premiered on Broadway at the Palace Theatre on January 11, 1979 and closed on March 4, 1979 after 61 performances and seventeen previews. Directed by Gerald Freedman and choreographed by Donald Saddler, the cast included Joel Grey, Ron Holgate, and Florence Lacey.

An original cast recording was released by Columbia Records.

Analysis

Along with Milk and Honey, The Grand Tour is a largely forgotten piece in Jerry Herman's canon. It probably didn't help matters that it opened in the same season as Sweeney Todd, The Best Little Whorehouse in Texas, and They're Playing Our Song. It did, however, manage to get generally positive reviews from Time and The New York Post. Of Herman's three "flops" (Dear World, Mack and Mabel, and The Grand Tour), it had the shortest run on Broadway (Mack and Mabel outran it by five).

In an article for the New York Public Library, Diana Bertolini speculated: "The star performance, was by all accounts one of the most special anyone had ever seen. And Herman's score is terrific... This show didn't really have anything wrong with it! Good book, good score, good cast… all I can imagine is that it was in the wrong place at the wrong time....Herman said in interviews that he thought The Grand Tour had actually suffered from Grey's strong performance, because it turned Jacobowsky into the star part and The Colonel a supporting one, a change from Berman's play, in which the roles had been equal."

Ken Mandelbaum wrote that "Herman's least admired and performed flop score is nonetheless filled with nice things...'The Grand Tour' was moderately pleasant, and more enjoyable on disc."

In a review of a 2005 regional production at the Colony Theater in Burbank, California, Steve Oxman of Variety wrote: "it’s not really a mystery why this show doesn’t work, although it’s a bit baffling that anyone thought a minor adjustment would fix it. Herman... delivers a number of tunes here that linger pleasurably in the ear. But the tone of his work does battle with the story itself, in which clever Jewish refugee S.L. Jacobowsky... bombastic Polish Colonel Stjerbinsky... and his French girlfriend Marianne... try to stay one step ahead of the Nazis in occupied France.

Synopsis

Act I

S. L. Jacobowsky relates that his incurable optimism has guided him well through a life of flight from one country to another in search of his place in the world ("I'll Be Here Tomorrow"). We are in Paris in the spring of 1940. The Germans are advancing rapidly, and Jacobowsky calmly waits outside a hotel for a man with a car for sale, by which he hopes to leave the capital. We meet two other hotel guests, a stiff-necked Polish aristocrat, Colonel Tadeusz Boleslav Stjerbinsky and his orderly, Szabuniewicz. The Colonel has a list of undercover agents in occupied Poland and is to meet a man with a flower in his lapel in the café of Papa Clairon in the French coastal village of St. Nazaire. The man will arrange passage for him to England so he can turn the papers over to the Polish government in exile. Jacobowsky buys the car but as he cannot drive and has overheard the Colonel's plans, proposes that he and the Colonel travel together. The Colonel will have no part of it, but Jacobowsky finally persuades him to do it for Poland ("For Poland"), and their Grand Tour begins.

In St. Cyrille the two meet Marianne, a lovely young French woman to whom the Colonel has promised to return. Mme Vauclain tries to persuade Marianne to leave St. Cyrille before the Germans come, but she will do nothing of the kind ("I Belong Here"). Late that night the car bearing Jacobowsky, the Colonel, and Szabuniewicz arrives outside Marianne's house, gives a final gasp, and expires. The Colonel wakens Marianne with music ("Marianne"), and although she is reluctant to leave St. Cyrille, Jacobowsky persuades Marianne that the best way to fight for her home is by leaving and remaining free. As she sews the Colonel's papers into her hat for safekeeping, they hurry to catch a local train heading west ("We're Almost There").

The train is halted by a bombed-out rail section and the group moves on to its next mode of transport, the caravan of the traveling Carnival Manzoni. Jacobowsky and Marianne talk, and we see that he is slowly falling in love with her. When the Carnival stops, Jacobowsky sets up a picnic at the side of the road and entertains Marianne while the Colonel glowers jealously in the background ("More and More / Less and Less"). The furious Colonel challenges Jacobowsky to a duel, and they are only stopped from shooting each other by the sudden arrival of an SS Captain. To save themselves, the four masquerade as performers in the Carnival: The Colonel and Szabuniewicz as two clowns, Jacobowsky as the human cannonball, and Marianne as his assistant ("One Extraordinary Thing"). Jacobowsky is about to climb into the cannon when the Colonel inadvertently gives the game away and they are forced to fire the cannon and make their escape under cover of its smoke and confusion.

Awards and nominations

Source: Playbill

1979 Nominee - Tony Award for Best Original Score

1979 Nominee - Tony Award for Best Leading Actor in a Musical (Grey)

1979 Nominee - Tony Award for Best Featured Actor in a Musical (Holgate)

1979 Nominee - Drama Desk Award for Outstanding Actor in a Musical (Grey)