Pinball

"Pinball" is a 1974 song by the actor and musician Brian Protheroe. An autobiographical song written whilst Protheroe was living in a friend's flat in Covent Garden, it was released as his first single after he was signed by Chrysalis on the strength of a song he wrote and performed in a play. Upon release, it gave Protheroe his only hit, reaching a peak position of 22 on the UK Singles Chart in September 1974. It was later included on his debut album of the same title. Background Though he had been interested in music from an early age, Brian Protheroe had focused on a burgeoning acting career in the years leading up to his musical releases. His initial stage performances in 1966–67 were with his local repertory theatre at Salisbury Playhouse. After leaving Salisbury, Protheroe settled with the New Theatre Royal Lincoln in 1968. There he met Martin Duncan, who became a musical collaborator. Stage roles such as in Bath Theatre Royal's 1970 production of A Midsummer Night's Dream, for which he was also the composer, followed, as well as television appearances in the historical drama Frontier and the anthology mystery series The Rivals of Sherlock Holmes. In 1973, Protheroe appeared in a production of William Fairchild's play Death on Demand in the role of a pop singer. For the play, he set a lyric written by Fairchild to music and, after it had been shopped around by Fairchild, this composition caught the attention of a Chrysalis Records rep. The label signed Protheroe as a solo artist. Protheroe never released a recording of the song from Death on Demand, instead opting for "Pinball" as his debut single. Composition "Pinball" is an autobiographical song, described by Protheroe as "a diary entry for one particular weekend in 1973", a time when he had just split up with his girlfriend and was living in a friend's flat in Covent Garden. The song describes Protheroe's despondent feelings ("my music bores me once again"), setbacks ("and I've run out of pale ale") and activities ("I've been on the pinball) at this time. It has been described by one reviewer as "example of ennui, Covent Garden Blues". The lyrics also reference Marilyn Monroe and the Beatles' "Hey Jude". There is no chorus, with the track being made up of several melodically identical verses.