Reception
On review aggregator Rotten Tomatoes, the film holds an approval rating of 78% based on 74 reviews, with an average rating of 7.3 out of 10. The website's critics consensus reads: "Heartfelt yet jumbled, Minamata pays uneven tribute to a remarkable real-life story better served by the documentary treatment." On Metacritic, the film has a weighted average score of 55 out of 100, based on 16 critics, indicating "mixed or average reviews".
The Washington Post awarded the film two and a half stars out of four stating that "Levitas makes choices that distract from the central crisis. But when he pays attention to the victims, Minamata finally comes into focus". Noel Murray of the Los Angeles Times mentioned that "Taken on its own merits — as an accessible if ahistorical dramatization of an environmental tragedy — Minamata does what it sets out to do very well" describing Depp as "quite good". TheWrap stated that "Moments of connection and the power of photography to tell a story shine through, though there are also instances where the cinematic storytelling becomes a bit heavy-handed" calling Depp's performance as "his most tender, most mature work in years".
The New York Times mentioned that "Minamata is often undermined by its protagonist, whose boorish ways clash with Japanese culture and distract from its central message". The Austin Chronicle reported that "Minamata" was "a rare return to form for Depp", while Brian Tallerico of RogerEbert.com stated that "Minamata is weighed down by self-important direction that loses the human beings in this story by prioritizing the headlines" although he praised Depp's performance by saying that "Leading man Johnny Depp is up to the challenge, and he gives a finely tuned performance here that kind of feels like his first "'old man' turn" awarding the film ultimately two stars out of four.
Peter Debruge of Variety gave Minamata a positive review, calling it "impressive if somewhat less-than-nuanced" and mentioning that "Depp plays it surly throughout, dominating those around him". Peter Bradshaw of The Guardian said that "Minamata is a forthright, heartfelt movie, an old-fashioned 'issue picture' with a worthwhile story to tell about how communities can stand up to overweening corporations and how journalists dedicated to truthful news can help them" awarding the film three out of five stars.
Deborah Young from The Hollywood Reporter wrote that "Director Andrew Levitas and his co-screenwriters dramatize a riveting story using a mass of groan-worthy genre clichés that ill-serve the truth they are trying to recreate". She did give positive remarks about Depp's performance as "he effortlessly captures the bohemian contrariness of the brilliant war photographer Gene Smith as he approaches the end of his career plagued by debts, alcohol, nightmares and disillusionment".
Collider stated that Minamata is "well paced, beautifully filmed and does have an appealing classic feel to it, but it still lacks that spark to propel it from informative to all-consuming" while reporting that Depp "does manage to successfully convey the complexities of Eugene's current headspace and how this assignment unearths his early determination". The Sydney Morning Herald awarded the film four stars out of five stating Depp's performance "is full of grace and grit". Jane Fredbury from The Canberra Times said that "Despite his outsize star profile, Depp manages to be convincing as a war-hardened photojournalist committed to exposing corporate crime, and doesn't distract from the issues", ultimately awarding the film four out of five stars.
Kevin Maher of The Times (UK) awarded Minamata two out of five stars, mentioning that "The professional redemption of Johnny Depp will have to wait".