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Margaret Mitchell — news, coverage & facts — IJR

Family history

Margaret Mitchell was a lifelong resident of Georgia. She was born in 1900 into a wealthy and politically prominent family. Her father, Eugene Muse Mitchell, was an attorney, and her mother, Mary Isabel "Maybelle" Stephens, was a suffragist and Catholic activist. She had two brothers, Russell Stephens Mitchell, who died in infancy in 1894, and Alexander Stephens Mitchell, born in 1896.

Mitchell's family on her father's side were descendants of Thomas Mitchell, originally of Aberdeenshire, Scotland, who settled in Wilkes County, Georgia in 1777, and served in the American Revolutionary War. Thomas Mitchell was a surveyor by profession. He was on a surveying trip in Henry County, Georgia, at the home of John Lowe, about 6 miles from McDonough, Georgia, when he died in 1835 and is buried in that location. Thomas Mitchell's son, William Mitchell, born December 8, 1777, in Edgefield County, South Carolina, moved in 1834-1835 to a farm along the South River in the Flat Rock community in Georgia. William Mitchell died February 24, 1859, at the age of 81 and is buried in the family graveyard near Panola Mountain State Park. Margaret Mitchell's great-grandfather Issac Green Mitchell moved to a farm along the Flat Shoals Road located in the Flat Rock community in 1839. Four years later he sold this farm to Ira O. McDaniel and purchased a farm 3 miles farther down the road on the north side of the South River in DeKalb County, Georgia.

Her grandfather, Russell Crawford Mitchell, of Atlanta, enlisted in the Confederate States Army on June 24, 1861, and served in Hood's Texas Brigade. He was severely wounded at the Battle of Sharpsburg, demoted for "inefficiency", and detailed as a nurse in Atlanta. After the Civil War, he made a large fortune supplying lumber for the rapid rebuilding of Atlanta. Russell Mitchell had thirteen children from two wives; the eldest was Eugene, who graduated from the University of Georgia Law School.

Mitchell's maternal great-grandfather, Philip Fitzgerald, emigrated from Ireland and eventually settled on a slaveholding plantation, Rural Home, near Jonesboro, Georgia, where he had one son and seven daughters with his wife, Elenor McGahan, who was from an Irish Catholic family with ties to Colonial Maryland. Mitchell's grandparents, married in 1863, were Annie Fitzgerald and John Stephens; he had also emigrated from Ireland and became a captain in the Confederate States Army. John Stephens was a prosperous real estate developer after the Civil War and one of the founders of the Gate City Street Railroad (1881), a mule-drawn Atlanta trolley system. John and Annie Stephens had twelve children together; the seventh child was May Belle Stephens, who married Eugene Mitchell. May Belle Stephens had studied at the Bellevue Convent in Quebec and completed her education at the Atlanta Female Institute.

The Atlanta Constitution reported that May Belle Stephens and Eugene Mitchell were married at the Jackson Street mansion of the bride's parents on November 8, 1892:

the maid of honor, Miss Annie Stephens, was as pretty as a French pastel, in a directoire costume of yellow satin with a long coat of green velvet sleeves, and a vest of gold brocade. ... The bride was a fair vision of youthful loveliness in her robe of exquisite ivory white and satin ... her slippers were white satin wrought with pearls ... an elegant supper was served. The dining room was decked in white and green, illuminated with numberless candles in silver candlelabras. ... The bride's gift from her father was an elegant house and lot. ... At 11 o'clock Mrs. Mitchell donned a pretty going-away gown of green English cloth with its jaunty velvet hat to match and bid goodbye to her friends.

Girlhood on Jackson Hill

When Mitchell was about three years old, her dress caught fire on an iron grate. Although Mitchell was unharmed, the accident was traumatic for her mother. Fearing it would happen again, Mitchell's mother began dressing her in boys' pants, and she was nicknamed "Jimmy", the name of a character in the comic strip Little Jimmy. Her brother insisted she would have to be a boy named Jimmy to play with him. Having no sisters to play with, Mitchell said she was a boy named Jimmy until she was fourteen.

Stephens Mitchell said his sister was a tomboy who would happily play with dolls occasionally, and she liked to ride her Texas plains pony. As a little girl, Mitchell went riding every afternoon with a Confederate veteran and a young lady of "beau-age". She was raised in an era when children were "seen and not heard" and was not allowed to express her personality by running and screaming on Sunday afternoons while her family was visiting relatives.

Mitchell learned the gritty details of specific battles from these visits with aging Confederate soldiers. But she didn't learn that the South had actually lost the war until she was 10 years of age:

I heard everything in the world except that the Confederates lost the war. When I was ten years old, it was a violent shock to learn that General Lee had been defeated. I didn't believe it when I first heard it and I was indignant. I still find it hard to believe, so strong are childhood impressions.

Her mother would swat her with a hairbrush or a slipper as a form of discipline.

May Belle Mitchell was "hissing blood-curdling threats" to her daughter to make her behave the evening she took her to a women's suffrage rally led by Carrie Chapman Catt. Her daughter sat on a platform wearing a Votes-for-Women banner, blowing kisses to the gentlemen, while her mother gave an impassioned speech. She was nineteen years old when the Nineteenth Amendment was ratified, which gave women the right to vote.

May Belle Mitchell was president of the Atlanta Woman's Suffrage League (1915), co-founder of Georgia's division of the League of Women Voters, chairwoman of press publicity for the Georgia Mothers' Congress and Parent Teacher Association, a member of the Pioneer Society, the Atlanta Woman's Club, and several Catholic and literary societies.

Mitchell's father was not in favor of corporal punishment in school. During his tenure as president of the educational board (1911–1912), corporal punishment in the public schools was abolished. Reportedly, Eugene Mitchell received a whipping on the first day he attended school and the mental impression of the thrashing lasted far longer than the physical marks.

Jackson Hill was an old, affluent part of the city. At the bottom of Jackson Hill was an area of African-American homes and businesses called "Darktown". The mayhem of the Atlanta Race Riot occurred over four days in September 1906 when Mitchell was five years old. Local white newspapers printed unfounded rumors that several white women had been assaulted by black men, prompting an angry mob of 10,000 to assemble in the streets, pulling black people from street cars, beating, and killing dozens over the next three days.

Eugene Mitchell went to bed early the night the rioting began, but was awakened by the sounds of gunshots. The following morning, as he later wrote to his wife, he learned "16 negroes had been killed and a multitude had been injured" and that rioters "killed or tried to kill every Negro they saw". As the rioting continued, rumors ran wild that black people would burn Jackson Hill. At his daughter's suggestion, Eugene Mitchell, who did not own a gun, stood guard with a sword.

Though the rumors proved untrue and no attack arrived, Mitchell recalled twenty years later the terror she felt during the riot. Mitchell grew up in a Southern culture where the fear of black-on-white rape incited mob violence, and in this world, white Georgians lived in fear of the "black beast rapist".

A few years after the riot, the Mitchell family decided to move away from Jackson Hill. In 1912, they moved to the east side of Peachtree Street just north of Seventeenth Street in Atlanta. Past the nearest neighbor's house was forest, and beyond it the Chattahoochee River. Mitchell's former Jackson Hill home was destroyed in the Great Atlanta Fire of 1917.

Mitchell's father was of a Protestant background, while her mother was a devout Catholic; Mitchell was raised in a Catholic household. As a young woman, she spent time visiting the Sisters of Mercy convent affiliated with St. Joseph's Infirmary in downtown Atlanta. Her religious upbringing influenced her decision to make the O'Hara family in her novel Catholics in a Protestant-majority state. One of Mitchell's mother's cousins entered the Sisters of Mercy at St. Vincent's Convent in Savannah in 1883, becoming Sister Mary Melanie. The characters Melanie Hamilton and Carreen O'Hara were probably based on this relation.

School life

While the Great War carried on in Europe (1914–1918), Margaret Mitchell attended Atlanta's Washington Seminary (now The Westminster Schools), a "fashionable" private girls' school with an enrollment of over 300 students. She was very active in the Drama Club. Mitchell played the male characters: Nick Bottom in Shakespeare's A Midsummer Night's Dream and Launcelot Gobbo in Shakespeare's The Merchant of Venice, among others. She wrote a play about snobbish college girls that she acted in as well. She also joined the Literary Club and had two stories published in the yearbook: Little Sister and Sergeant Terry. Ten-year-old "Peggy" is the heroine in Little Sister. She hears her older sister being raped and shoots the rapist:

Coldly, dispassionately she viewed him, the chill steel of the gun giving her confidence. She must not miss now—she would not miss—and she did not.

Mitchell received encouragement from her English teacher, Mrs. Paisley, who recognized her writing talent. A demanding teacher, Paisley told her she had ability if she worked hard and would not be careless in constructing sentences. A sentence, she said, must be "complete, concise and coherent".

Mitchell read the books of Thomas Dixon, Jr., and in 1916, when the silent film, The Birth of a Nation, was showing in Atlanta, she dramatized Dixon's The Traitor: A Story of the Fall of the Invisible Empire (1907). As both playwright and actress, she took the role of Steve Hoyle. For the production, she made a Ku Klux Klan costume from a white crepe dress and wore a boy's wig. (Note: Dixon rewrote The Traitor as The Black Hood (1924) and Steve Hoyle was renamed George Wilkes.)

During her years at Washington Seminary, Mitchell's brother, Stephens, was away studying at Harvard University (1915–1917), and he left in May 1917 to enlist in the army, about a month after the U.S. declared war on Germany. He set sail for France in April 1918, participated in engagements in the Lagny and Marbache sectors, then returned to Georgia in October as a training instructor. While Margaret and her mother were in New York in September 1918 preparing for Margaret to attend college, Stephens wired his father that he was safe after his ship had been torpedoed en route to New York from France.

Stephens Mitchell thought college was the "ruination of girls". However, May Belle Mitchell placed a high value on education for women and she wanted her daughter's future accomplishments to come from using her mind. She saw education as Margaret's weapon and "the key to survival". The classical college education she desired for her daughter was one that was on par with men's colleges, and this type of education was available only at northern schools. Her mother chose Smith College in Northampton, Massachusetts for Margaret because she considered it to be the best women's college in the United States.

Her great love

Upon graduating from Washington Seminary in June 1918, Mitchell fell in love with a Harvard graduate, a young army lieutenant, Clifford West Henry, who was chief bayonet instructor at Camp Gordon from May 10 until the time he set sail for France on July 17. Henry was "slightly effeminate", "ineffectual", and "rather effete-looking" with "homosexual tendencies", according to biographer Anne Edwards. Before departing for France, he gave Mitchell an engagement ring.

On September 14, while she was enrolled at Smith College, Henry was mortally wounded in action in France and died on October 17. As Henry waited in the Verdun trenches, shortly before being wounded, he composed a poem on a leaf torn from his field notebook, found later among his effects. The last stanza of Lieutenant Clifford W. Henry's poem follows:

Henry repeatedly advanced in front of the platoon he commanded, drawing machine-gun fire so that the German nests could be located and wiped out by his men. Although wounded in the leg in this effort, his death was the result of shrapnel wounds from an air bomb dropped by a German plane. He was awarded the French Croix de guerre avec palme for his acts of heroism. From the President of the United States, the Commander in Chief of the United States Armed Forces, he was presented with the Distinguished Service Cross and an Oak Leaf Cluster in lieu of a second Distinguished Service Cross.

Clifford Henry was the great love of Margaret Mitchell's life, according to her brother. In a letter to a friend (A. Edee, March 26, 1920), Mitchell wrote of Clifford that she had a "memory of a love that had in it no trace of physical passion".

Mitchell had vague aspirations of a career in psychiatry, but her future was derailed by an event that killed over fifty million people worldwide, the 1918 flu pandemic. On January 25, 1919, her mother, May Belle Mitchell, succumbed to pneumonia from the "Spanish flu". Mitchell arrived home from college a day after her mother had died. Knowing her death was imminent, May Belle Mitchell wrote her daughter a brief letter and advised her:

Give of yourself with both hands and overflowing heart, but give only the excess after you have lived your own life.

An average student at Smith College, Mitchell did not excel in any area of academics. She held a low estimation of her writing abilities. Even though her English professor had praised her work, she felt the praise was undue. After finishing her freshman year at Smith, Mitchell returned to Atlanta to take over the household for her father and never returned to college. In October 1919, while regaining her strength after an appendectomy, she confided to a friend that giving up college and her dreams of a "journalistic career" to keep house and take her mother's place in society meant "giving up all the worthwhile things that counted for—nothing!"

Marriage

Margaret began using the name "Peggy" at Washington Seminary, and the abbreviated form "Peg" at Smith College, when she found an icon for herself in the mythological winged horse, "Pegasus", that inspires poets. Peggy made her Atlanta society debut in the 1920 winter season. In the "gin and jazz style" of the times, she did her "flapping" in the 1920s. At a 1921 Atlanta debutante charity ball, she performed an Apache dance. The dance included a kiss with her male partner that shocked Atlanta high society and led to her being blacklisted from the Junior League. The Apache and the Tango were scandalous dances for their elements of eroticism, the latter popularized in a 1921 silent film, The Four Horsemen of the Apocalypse, that made its lead actor, Rudolph Valentino, a sex symbol for his ability to Tango.

Mitchell was, in her own words, an "unscrupulous flirt". She found herself engaged to five men, but maintained that she neither lied to nor misled any of them. A local gossip columnist, who wrote under the name Polly Peachtree, described Mitchell's love life in a 1922 column:

...she has in her brief life, perhaps, had more men really, truly 'dead in love' with her, more honest-to-goodness suitors than almost any other girl in Atlanta.

In April 1922, Mitchell was seeing two men almost daily: one was Berrien ("Red") Kinnard Upshaw (March 10, 1901 – January 13, 1949), whom she is thought to have met in 1917 at a dance hosted by the parents of one of her friends, and the other, Upshaw's roommate and friend, John Robert Marsh (October 6, 1895 – March 5, 1952), a copy editor from Kentucky who worked for the Associated Press. Upshaw was an Atlanta boy, a few months younger than Mitchell, whose family moved to Raleigh, North Carolina in 1916. In 1919 he was appointed to the United States Naval Academy, but resigned for academic deficiencies on January 5, 1920. He was readmitted in May, then 19 years old, and spent two months at sea before resigning a second time on September 1, 1920. Unsuccessful in his educational pursuits and with no job, in 1922 Upshaw earned money bootlegging alcohol out of the Georgia mountains.

Although her family disapproved, Peggy and Red married on September 2, 1922; the best man at their wedding was John Marsh, who would become her second husband. The couple resided at the Mitchell home with her father. By December the marriage to Upshaw had dissolved and he left. Mitchell suffered physical and emotional abuse, the result of Upshaw's alcoholism and violent temper. Upshaw agreed to an uncontested divorce after John Marsh gave him a loan and Mitchell agreed not to press assault charges against him. Upshaw and Mitchell were divorced on October 16, 1924.

During this time, Mitchell left the Catholic Church and became an Episcopalian.

On July 4, 1925, 24-year-old Margaret Mitchell and 29-year-old John Marsh were married in the Unitarian-Universalist Church. The Marshes made their home at the Crescent Apartments in Atlanta, taking occupancy of Apt. 1, which they affectionately named "The Dump" (now the Margaret Mitchell House and Museum).

Reporter for The Atlanta Journal

While still legally married to Upshaw and needing income for herself, Mitchell got a job writing feature articles for The Atlanta Journal Sunday Magazine. She received almost no encouragement from her family or "society" to pursue a career in journalism, and had no prior newspaper experience. Medora Field Perkerson, who hired Mitchell said:

There had been some skepticism on the Atlanta Journal Magazine staff when Peggy came to work as a reporter. Debutantes slept late in those days and didn't go in for jobs.

Her first story, Atlanta Girl Sees Italian Revolution, by Margaret Mitchell Upshaw, appeared on December 31, 1922. She wrote on a wide range of topics, from fashions to Confederate generals and King Tut. In an article that appeared on July 1, 1923, Valentino Declares He Isn't a Sheik, she interviewed celebrity actor Rudolph Valentino, referring to him as "Sheik" from his film role. Less thrilled by his looks than his "chief charm", his "low, husky voice with a soft, sibilant accent", she described his face as "swarthy":

His face was swarthy, so brown that his white teeth flashed in startling contrast to his skin; his eyes—tired, bored, but courteous.

Mitchell was quite thrilled when Valentino took her in his arms and carried her inside from the rooftop of the Georgian Terrace Hotel.

Many of her stories were vividly descriptive. In an article titled, Bridesmaid of Eighty-Seven Recalls Mittie Roosevelt's Wedding, she wrote of a white-columned mansion in which lived the last surviving bridesmaid at Theodore Roosevelt's mother's wedding:

The tall white columns glimpsed through the dark green of cedar foliage, the wide veranda encircling the house, the stately silence engendered by the century-old oaks evoke memories of Thomas Nelson Page's On Virginia. The atmosphere of dignity, ease, and courtesy that was the soul of the Old South breathes from this old mansion...

In another article, Georgia's Empress and Women Soldiers, she wrote short sketches of four notable Georgia women. One was the first woman to serve in the United States Senate, Rebecca Latimer Felton, a suffragist who held white supremacist views. The other women were: Nancy Hart, Lucy Mathilda Kenny (also known as Private Bill Thompson of the Confederate States Army) and Mary Musgrove. The article generated mail and controversy from her readers. Mitchell received criticism for depicting "strong women who did not fit the accepted standards of femininity".

Mitchell's journalism career, which began in 1922, came to an end less than four years later; her last article appeared on May 9, 1926. Several months after marrying John Marsh, Mitchell quit due to an ankle injury that would not heal properly and chose to become a full-time wife. During the time Mitchell worked for the Atlanta Journal, she wrote 129 feature articles, 85 news stories, and several book reviews.

Early works

Mitchell wrote a romance novella, Lost Laysen, when she was fifteen years old (1916). She gave Lost Laysen, which she had written in two notebooks, to a boyfriend, Henry Love Angel. He died in 1945 and the novella remained undiscovered among some letters she had written to him until 1994. The novella was published in 1996, eighty years after it was written, and became a New York Times Best Seller.

In Lost Laysen, Mitchell explores the dynamics of three male characters and their relationship to the only female character, Courtenay Ross, a strong-willed American missionary to the South Pacific island of Laysen. The narrator of the tale is Billy Duncan, "a rough, hardened soldier of fortune", who is frequently involved in fights that leave him near death. Courtenay quickly observes Duncan's hard-muscled body as he works shirtless aboard a ship called Caliban. Courtenay's suitor is Douglas Steele, an athletic man who apparently believes Courtenay is helpless without him. He follows Courtenay to Laysen to protect her from perceived foreign savages. The third male character is the rich, powerful yet villainous Juan Mardo. He leers at Courtenay and makes rude comments of a sexual nature, in Japanese no less. Mardo provokes Duncan and Steele, and each feels he must defend Courtenay's honor. Ultimately Courtenay defends her own honor rather than submit to shame.

Mitchell's half-breed

antagonist, Juan Mardo, lurks in the shadows of the story and has no dialogue. The reader learns of Mardo's evil intentions through Duncan:

They were saying that Juan Mardo had his eye on you—and intended to have you—any way he could get you!

Mardo's desires are similar to those of Rhett Butler in his ardent pursuit of Scarlett O'Hara in Mitchell's epic novel, Gone with the Wind. Rhett tells Scarlett:

I always intended having you, one way or another.

The "other way" is rape. In Lost Laysen the male seducer is replaced with the male rapist.

In Mitchell's teenage years, she is known to have written a 400-page novel about girls in a boarding school, The Big Four. The novel is thought to be lost; Mitchell destroyed some of her manuscripts herself and others were destroyed after her death.

In the 1920s, Mitchell completed a novelette, Ropa Carmagin, about a Southern white girl who loves a biracial man. Mitchell submitted the manuscript to Macmillan Publishers in 1935 along with her manuscript for Gone with the Wind. The novelette was rejected; Macmillan thought the story was too short for book form.

Margaret Mitchell

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Margaret Mitchell

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Margaret Mitchell across IJR

Article

Notable quotes

Notable quotes

Article

Family history

Early influences

Girlhood on Jackson Hill

The South of Gone with the Wind

An avid reader

Young storyteller

School life

Her great love

Marriage

Reporter for The Atlanta Journal

Interest in erotica

Novelist

Early works

Writing Gone with the Wind

World War II

Death and legacy

Margaret Mitchell across IJR