Major works
Kron's major works to date are 2.5 Minute Ride, Well, and Fun Home. The first two are critically acclaimed autobiographical plays, and the third a critically acclaimed biographical musical. 2.5 Minute Ride blends a trip she took with her father Walter to Auschwitz, the scene of his parents' extermination by the Nazis and her family's annual trip to an amusement park in Ohio. Kron says in the introduction to her play: "Humor and horror are juxtaposed and you might not know for a second whether you are at Auschwitz or at the amusement park. The show does not tell you when to laugh and when to be solemn. The response is up to you."
The play recounts her father's remarkable experiences: "When my father… heard that his parents had been sent to Auschwitz, he immediately tried to order a ham sandwich, to distance himself from Judaism. But he couldn't. He'd say to the waitress, 'Um . . . tuna fish.'" Kron also reflects on looking at a poem on exhibit during their trip to Auschwitz: "I repeat the words that have undone me. 'People burn people here.'" One of the most memorable scenes in the play is when her father tells her about the death of her grandparents at Auschwitz:
... I don't think I accepted it until a few years ago, in Lansing. It was the winter and it was so cold and I was shivering…And I realized this would only happen to them once. They were old and they stood outside, lined up in the cold and they were of no use to anyone and they were killed ...
Well explores her mother Ann's experiences with social activism and illness, The play uses physical illness as a metaphor for social "illnesses" such as racism. Kron's description of Well: "A multicharacter theatrical exploration of issues of health and illness both in the individual and in a community." Kron describes her mother:
My mother is a fantastically energetic person trapped in an utterly exhausted body…when she has a burst of energy it's awe inspiring. For instance, when we were very young she decided she wanted my brother and me to be raised in a racially integrated neighborhood, and then she set about to create one.
Fun Home (2013) was Kron's first musical and first work based on an existing work by another artist. Alison Bechdel's acclaimed graphic novel/memoir Fun Home serves as the basis for the musical. Kron wrote the book and lyrics, and Tony-nominated composer Jeanine Tesori wrote the score. It looks at the experience of cartoonist Bechdel growing up in small-town Pennsylvania as the not-yet-out lesbian daughter of a closeted gay man. All of Kron's previous works have been based on her own experiences. She discussed the process of adapting another person's work in an interview for GLAAD.
The thing about adaptation is you have to re-originate a thing. You can't just say, "This is a musicalized version of this graphic novel." It has to have its own originating impulse, so that you feel like the experience you are having is the primary experience. And at the same time, you don't feel like you're watching a different thing, that whatever the effect of the book was, you'll feel like it's represented.
All three works have been very well received, 2.5 Minute Ride, directed by Mark Brokaw, won an Obie award among others. Well was anthologized in Best Plays of 2003–2004, listed among the year's best plays by the New York Times and received two Tony Award nominations. Ben Brantley says of 2.5 Minute Ride: "(it)… puts Ms. Kron on a level with sterling monologists like Spalding Gray, autobiographers who combine novelistic complexity with stage-smart impudence." Michael Sommers says of Well: "Truly a beautiful play in many ways, Well paints a mother-and-daughter picture of rich, unusual artistry." Of Kron's recent work, Fun Home, The New York Times' Ben Brantley said it is "a beautiful heartbreaker of a musical," and that "Ms. Kron has already established herself as a vibrant family memoirist with her plays 2.5 Minute Ride and Well, and her book and resonantly precise lyrics give this show its essential spine."
The first college performance of Well occurred in the winter of 2008 at Kalamazoo College, Kron's alma mater. It starred a group of students as well as local professional actress Sharon Williams. Kron traveled to Kalamazoo for the week of the run, participating in "Lisa Kron Week in Kalamazoo" which, besides Well, included a performance of the Five Lesbian Brothers' "The Secretaries" as well as a public reading in which she read excerpts from all three of her works in addition to one of the pieces she is currently working on.
The world premiere of Kron's play In the Wake opened at the Kirk Douglas Theatre in Los Angeles on March 28, 2010. Leigh Silverman (who also directed Well) directed. The play is about a family gathering set just after the presidential election of 2000. The main protagonist Ellen deals with the political turmoil as well as upheaval in her personal life. Charlotte Stoudt describes In the Wake: "Kron's comedy of deprecation and provocative social critique is part Sedaris, part Kushner, yet utterly her own."