Early fame – the Brian Epstein years
Black signed her first contract with longtime friend and neighbour Terry McCann, but this contract was not binding as it was made when she was a minor (the age of majority was then 21), and her father subsequently signed her with Brian Epstein.
She was introduced to Epstein by John Lennon, who persuaded him to audition her. Lennon was encouraged by his Aunt Mimi to introduce Black to Epstein. Epstein had a portfolio of local artists, but initially showed little interest in her. Her first audition was a failure, partly because of nerves, and partly because the Beatles (who supported her) played the songs in their usual vocal key rather than re-pitching them for Black's voice.
In her autobiography What's It All About? she wrote:I'd chosen to do "Summertime", but at the very last moment I wished I hadn't. I adored this song, and had sung it when I came to Birkenhead with the Big Three, but I hadn't rehearsed it with the Beatles and it had just occurred to me that they would play it in the wrong key. It was too late for second thoughts, though. With one last wicked wink at me, John set the group off playing. I'd been right to worry. The music was not in my key and any adjustments that the boys were now trying to make were too late to save me. My voice sounded awful. Destroyed—and wanting to die—I struggled on to the end.But after seeing her another day, at the Blue Angel jazz club, Epstein contracted with Black as his only female client on 6 September 1963. Epstein introduced Black to George Martin who signed her to Parlophone Records and produced her début single, "Love of the Loved" (written by Lennon and McCartney), which was released only three weeks after she joined Epstein. Despite an appearance on ABC Weekend TV's popular Thank Your Lucky Stars, the single peaked at a modest No. 35 in the UK, a relative failure compared to the débuts of Epstein's most successful artists (the Beatles, Gerry and the Pacemakers and Billy J. Kramer with the Dakotas).
Black's second single, released at the beginning of 1964, was a cover of the Burt Bacharach–Hal David composition "Anyone Who Had a Heart", which had been written for Dionne Warwick. The single beat Warwick's recording into the UK charts and rose to No. 1 in Britain in February 1964 (spending three weeks there), selling 800,000 UK copies in the process. Her second UK No. 1 success, "You're My World", was an English-language rendition of the Italian popular song "Il Mio Mondo" by composer Umberto Bindi. She also enjoyed chart success with the song in America, Australia, New Zealand, Europe, South Africa and Canada. Both songs sold over one million copies worldwide, and were awarded gold discs.
Black's two No. 1 successes were followed by the release of another Lennon–McCartney composition, "It's for You", as her fourth UK single. Paul McCartney played piano at the recording session, and the song proved to be another success for Black, peaking at No. 7 on the UK charts. In Canada it reached No. 39.
Black belonged to a generation of British female singers which included Dusty Springfield, Helen Shapiro, Petula Clark, Sandie Shaw, Marianne Faithfull, and Lulu. Other than Clark, these singers were not songwriters. Black recorded much material during this time, including songs written by Phil Spector, Tim Hardin and Burt Bacharach. All were produced by George Martin at Abbey Road Studios. Randy Newman, writer and composer of "I've Been Wrong Before", which Cilla Black recorded in 1965, was quoted as saying: "Cilla Black's "I've Been Wrong Before" is about the best cover record anyone has ever done of my songs."
Black's version of "You've Lost That Lovin' Feelin'" (1965) reached No. 2 on the UK charts. A week later the Righteous Brothers' original version of the same song went to No. 1 while Black's version dropped to No. 5. The single wasn't critically well received, however; the Rolling Stones' manager Andrew Loog Oldham took out an advert in the Melody Maker to deride Black's efforts compared with the original.
Being so closely associated with the Beatles, Black became one of a select group of artists in the 1964–65 period (the others being Billy J. Kramer & the Dakotas and Peter and Gordon) to record more than one Lennon–McCartney composition. Black continued to record Lennon–McCartney compositions throughout her time with Parlophone (1963–1973) and her recordings of "Yesterday", "For No One" and "Across the Universe" became radio favourites. McCartney said Black's 1972 interpretation of "The Long and Winding Road" was the definitive version of the song.
Black's career in the United States, although enthusiastically supported by Epstein and his PR team, was limited to a few television appearances (The Ed Sullivan Show among them), a 1965 cabaret season at the Plaza Hotel in New York City, and success with "You're My World", which made it to No. 26 on the Billboard Hot 100. The song was to be her only American Top 30 chart success; Elvis Presley had a copy on his personal jukebox at his Graceland home. Black recognised that to achieve popular status in the USA she would need to devote much time to touring there. But she was plagued by homesickness and a sense of loneliness and returned to the UK.
In 1966 Black recorded the Bacharach-David song "Alfie", written as the signature song to the 1966 feature film of the same name. While Cher sang "Alfie" on the closing credits of the American release of the film and Black on the UK version, Black was the only artist to have a hit with the song in the UK (No. 9). The next year, "Alfie" became a success for Dionne Warwick in the US. Black's version of "Alfie" was arranged and conducted by Bacharach himself at the recording session at Abbey Road. Bacharach insisted on 31 separate takes, and Black cited the session as one of the most demanding of her recording career. For Bacharach's part, he said "... there weren't too many white singers around who could convey the emotion that I felt in many of the songs I wrote but that changed with people like Cilla Black".
By the end of 1966, Black had been a guest on Peter Cook and Dudley Moore's show Not Only... But Also, had appeared on The Eamonn Andrews Show, and in a Ray Galton–Alan Simpson revue in London's West End—Way Out in Piccadilly—alongside Frankie Howerd, and had starred in the television special Cilla at the Savoy, which was one of the most watched music specials of the 1960s.
Epstein's attempts to make Black a film actress were less successful. A brief appearance in the beat film Ferry 'Cross the Mersey (1965) and a leading role alongside David Warner in the psychedelic comedy Work Is a Four-Letter Word (1968) were largely ignored by film critics. In a 1997 interview with Record Collector magazine, Black revealed she was asked to appear in the film The Italian Job (1969), playing the part of Michael Caine's girlfriend, but negotiations fell through between producers and her management over her fee.
Epstein died of an accidental drug overdose in August 1967, not long after negotiating a contract with the BBC for Black to appear in a television series of her own. Relations between Epstein and Black had somewhat soured during the year before his death, largely because she felt he was not paying her career enough attention, and her singles "A Fool Am I" (UK No. 13, 1966) and "What Good Am I?" (UK No. 24, 1967) had not been big successes.
In her autobiography, Black said that Epstein had tried to pacify her by negotiating a deal that would see her representing the UK in the 1968 Eurovision Song Contest. However, Black refused as Sandie Shaw had won the previous year's contest, making it unlikely that another British female singer would win.
