Alborada is a Peruvian group of Andean music and contemporary music created in 1984.
Alborada is considered one of the Peruvian exponents of world music due to their combinations of contemporary styles and because its members settled mainly in Germany. Most of their songs are performed in Quechua. The leading instruments are Andean wind instruments such as quenas, toyos, zampoñas, sikus, and antaras, combined with more modern instruments like the electric guitar.
Contents
History
The group's history begins in 1984 when Sixto Ayvar founded Alborada in his hometown, Ocobamba. Before this, the nickname Sixtucha developed in the city of Cologne, musical concepts of the original cultures of the Peruvian Andes in Germany. There his musical ear was enriched by other genres and styles of that cosmopolitan city and endowed with different miscellaneous sounds and instruments.
At that time traditional Andean music, in the hands and voices of Alborada, modernizes, renews, and adapts to the new and demanding ears of the current public outside the Peruvian territory. In the early years, it had fundamental support from recognized performers Manuelcha Prado and Julio Humala.
During its formation other names passed through Alborada with different experiences and nationalities. Different musical forms were experimented with, but always with their particular and characteristic style. From the strictly traditional, through fusion, to music for meditative purposes. In the Tropical production, they approach more danceable and contemporary rhythms, while the Melodías del Corazón and Melodías Inolvidables series explore popular Western rhythms. Meanwhile, in the albums Caminos al Sol and Instrumental, the group's rapid and progressive changes are appreciated with other modern instruments like the electric guitar.
With the arrival of Argentinian Víctor Valle and the Ecuadorian Lenin de la Torre, the characteristic sound of Alborada was created. The new styles and rhythms they bring from their respective communities, combined with the experiences they gained from visiting indigenous cultures in Canada and the United States. These new experiences are evident from their Meditation production. In this extrasensory proposal, they planned to create "intercultural bridges" between human groups distanced by history. Alborada proposed their folk music as a medium, which, beyond recovering original sounds from pre-Columbian peoples, contributed their own for the continent's cosmopolitan style. This musical philosophy of Alborada is shared by similar groups: Indiógenes, Sol y Luna, and Ocobamba.
Although Alborada participated alongside other international groups like the Bolivians "Savia Andina" and "Los Kjarkas," they achieved worldwide recognition with the worldwide diffusion of their DVD "Alborada Live". This DVD was subtitled in English, Quechua, and Spanish, reflecting the cosmopolitan nature of their audience.
Members
Sixto Ayvar (founder)
Reinszo Pandal
Víctor Valle
Wilber Ayvar
Discography
1986: El canto del puma
1988: Madre tierra
1993: Runa
1997: Kuntur
1998: Kuyayky
2000: Jiwaña
2002: Sumaq Kawsay
2003: Tropical
2003: Instrumental
2003: Taki
2004: Nuna
2004: Apu
2004: Reencuentro
2005: Madre Tierra
2005: Kuyayky II
2005: Reincarnación
2005: Antología
2006: Concierto desde Alemania
2007: Danza de los negros
2007: Nina
2008: Fiesta
2008: Misk'i Takiy
2009: Concierto desde México
2009: Los sueños de mi madre
2010: Concierto en México
2010: Concierto en Lima
2011: Cantos de Tierra y Semilla